02-08-2019, 12:28 AM
What he was getting at was that he had practice in the steps of this dance. Between ornery drunks and paranoid vets and suspicious lovers and jittery late-night muggers, he had, in fact, been threatened from across a bar before -- on enough distinct occasions that he would have been hard-pressed to pin a number to them because the less stand-out confrontations got jumbled up in the timeline. So, to some extent, his response to the turn of events was muscle memory: stay calm, don’t antagonize, give them what they want, strike back only if you’re positive you have the upper hand. Reflex with an edge of nihilism, since one of the orders was for him to be quiet. But it was harder to talk someone out of doing something stupid without talking.
The impression that Jude wasn’t really out to slash throats (he would have just done it, not used the weapon to shore up demands -- demands intimated a goal other than bloodshed) proved accurate, as Near made it through his response without having to dodge the business end of the bottle. Still in one piece, he thought he might be able to get a handle on things, right up until the scene turned on its head and the kid sliced himself instead. Something about meaning crossed Near’s mind: the display held that he didn’t know how to interpret. But he had been there before, too. Sometimes you didn’t need to know why, what mattered was bearing witness. And if it ended in the kid offing himself to prove some kind of point … well, he’d cross that bridge when he came to it.
Except there was no bridge.
Something else happened. A noise, a moment of death. An abstraction. The kid hit rewind.
Shit, he was drunker than he thought.
No … but it was clear as soon as it was over how it would be easier to decide that what had happened was an exaggeration of too much wine than to try to file it into the stacks of reality. So: sleight of hand. Trick of the light. A quarter pulled from behind a kid’s ear. Was he supposed to be impressed by the show? Scared? He was both, probably, but he chose just then to be neither, even though, with the bottle in front him, what he wanted to do from the bottom of his heart was pick it up and drop it on the floor, allow it to return to its prior shattered state like a mercy killing. He didn't. No good escalating.
Mention of his father muffled the dissonance, made it easier to hold. Of course this had something to do with his father. What didn't lately? Ever?
“Are we playing Courtland trivia?” Defiant stare at the illusionist. The question, too, could have been combative, but he tamed his delivery into something careful, weighed down by a hint of exhaustion at the topic. “Here’s one: once, My Father broke my mother’s eye socket when he threw an illustrated first edition of Constantinople and The Scenery of The Seven Churches of Asia Minor at her head. And the last time we were here he raped my au pair. Whatever he knew, I don’t want any. Thanks.”
The impression that Jude wasn’t really out to slash throats (he would have just done it, not used the weapon to shore up demands -- demands intimated a goal other than bloodshed) proved accurate, as Near made it through his response without having to dodge the business end of the bottle. Still in one piece, he thought he might be able to get a handle on things, right up until the scene turned on its head and the kid sliced himself instead. Something about meaning crossed Near’s mind: the display held that he didn’t know how to interpret. But he had been there before, too. Sometimes you didn’t need to know why, what mattered was bearing witness. And if it ended in the kid offing himself to prove some kind of point … well, he’d cross that bridge when he came to it.
Except there was no bridge.
Something else happened. A noise, a moment of death. An abstraction. The kid hit rewind.
Shit, he was drunker than he thought.
No … but it was clear as soon as it was over how it would be easier to decide that what had happened was an exaggeration of too much wine than to try to file it into the stacks of reality. So: sleight of hand. Trick of the light. A quarter pulled from behind a kid’s ear. Was he supposed to be impressed by the show? Scared? He was both, probably, but he chose just then to be neither, even though, with the bottle in front him, what he wanted to do from the bottom of his heart was pick it up and drop it on the floor, allow it to return to its prior shattered state like a mercy killing. He didn't. No good escalating.
Mention of his father muffled the dissonance, made it easier to hold. Of course this had something to do with his father. What didn't lately? Ever?
“Are we playing Courtland trivia?” Defiant stare at the illusionist. The question, too, could have been combative, but he tamed his delivery into something careful, weighed down by a hint of exhaustion at the topic. “Here’s one: once, My Father broke my mother’s eye socket when he threw an illustrated first edition of Constantinople and The Scenery of The Seven Churches of Asia Minor at her head. And the last time we were here he raped my au pair. Whatever he knew, I don’t want any. Thanks.”

